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The most surprising thing about meeting Howard Gordon in person is how calm he is—you would expect the writer and producer behind such shows as 24 and Homeland to radiate just a touch of the existential anxiety his work so potently explores. But on a recent afternoon in TriBeCa, New York, the poet of ticking time bombs and countdown clocks—who had just come from having pizza and a CitiBike ride with his wife, Cami—was thoughtful and laid back as he discussed his path from Long Island to Hollywood fame.
Which, on second thought, isn’t surprising at all: For all of their quivering, mad energy, Gordon’s shows are always much deeper than their surface suggests, concealing profound philosophical and moral questions beneath their suspenseful and fast-paced veneer. In 24, he explored the ever-shifting position of America in a post-Sept. 11 world, which meant looking at everything from torture to political corruption. Homeland went even further, with greater psychological nuance and with America’s foreign policy in the Middle East constantly serving as a bold, dramatic backdrop. And so, when Gordon talked to us about his love for Saul Bellow—that other great American chronicler of power and its limitations, mortality, lust, community, and redemption—it seemed only natural.
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